1. |
Mother
05:12
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2. |
Father
06:37
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I lay waiting
Frozen and dejected
I wait here for the end
My whole life
Passes before my eyes
As I wait here for the end
As my world is drawing unto a close
I remember how it began
In your arms I felt the warmth of the sun
Those days will never come back
Then I learned how cruel it can be
To wake and face the world
Though your shelter never let me down
I tired of trying to be
As my world is drawing unto a close
I remember how it began
In your arms I felt the warmth of the sun
Those days will never come back
Dad, take me home
Father, take me home
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3. |
Brother
06:16
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4. |
Farewell
06:36
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I pace this empty room
I'm all alone, I'm all alone
My brain upon the wall
I'm sorry for what I've become
Together with racing thoughts
I'm all alone, I'm all alone
The end is my only escape
I give in to reason
I die alone, I die alone
You'll forget my name
I tried for all my life but
These voices inside my head
I cry alone, I cry alone
Please someone make this end
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supported by 5 fans who also own “Farewell”
Sad yet hopeful is what this album sounds like. Every sadness album sounds like that honestly. Like things might be shit right now but they can always get better if you’re willing to let them. Sadness has a way of making music that’s mega depressing but doesn’t add to your depression it seems to acknowledge it and reminds you of the things that make your life worth living. This album specifically does this perfectly and is probably my favorite sadness release. please let it get physical release
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supported by 4 fans who also own “Farewell”
Il y a un désir qui traverse toute les œuvres de Sadness (et sûrement toute l'œuvre de Damián Antón Ojeda) qui est celui de capturer l'instant ; en un sens, c'est ce qu'on retrouve dans l'E.P. holding. A moins qu'il ne s'agisse d'un parcours émotionnel qui apprend à avaler ses émotions. La première piste est une explosion de douleur au point où même la guitare a du mal à suivre ; et plus on progresse, plus les mélodies lumineuses ou les voix juvéniles prennent de l'importance. Mais derrière...
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Зямля Пад Чорнымі Крыламі: Кроў (The Land Under The Black Wings: Blood)
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featured on Bandcamp Radio Aug 4, 2023
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supported by 4 fans who also own “Farewell”
Opening with Abbey Lincoln's definitive rendition of unreleased Billie Holiday song, Left Alone (natch), you have to admire the confidence of any musician to riff over what was originally a Max Roach / Art Davis rhythm section and iconic Coleman Hawkins sax solo – let alone in infamously fudging-the-details DSBM. But such is the ambition (or youthful naïveté) on this masterwork of slow burning late nite metal. Grand, solemn, and astounding throughout. Not to be missed by early Sadness fans.
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